girl culture
In the United States, access to tampons and pads for low-income women is a real problem, too: food stamps don’t cover feminine hygiene products, so some women resort to selling their food stamps in order to pay for “luxuries” like tampons. Women in prison often don’t have access to sanitary products at all, and the high cost of a product that half the population needs multiple times a day, every month for approximately 30 years, is simply, well, bullshit.
- The case for free tampons (via stuffmomnevertoldyou)

nprglobalhealth:

It’s All About The Girls: Is The World Listening To Them?
"My shoes wear out from walking to school, and then I can’t go because we can’t afford new shoes," says a girl from Indonesia.
"I want to live freely," says another girl, in Egypt. "I don’t want people to dictate what I do. No one to control us, no one to hit us, no one to tell us what clothes to wear."
In Congo, a girl starts to list her chores: “Tidying the house, fetching water, preparing meals,” she says. “There are so many I can’t even name them all.”
Their voices are part of a chorus of more than 500 girls, ages 10 to 19, from 14 developing countries. They’ve shared their challenges and dreams with the Girl Declaration, a campaign started last year by the Nike Foundation.
The aim: to change the way the world thinks about girls, says Lyric Thompson at the International Center for Research on Women, which worked with Nike on the project.
Writing this week in the journal Science, Melinda Gates says that “no society can achieve its potential with half of its population marginalized and disempowered.”
They are the “engines” of global development, writes the co-chair of the Bill and Melinda Gates Foundation. And they should be at the center of development plans and goals.
Continue reading and see more photos.
Photo: "I want to grow up and become a police. But I need to study in a good school for that. I want to become a police to protect the country." - Fiza, 13, India (Courtesy of Nike Foundation)

If you’re a boy writer, it’s a simple rule: you’ve gotta get used to the fact that you suck at writing women and that the worst women writer can write a better man than the best male writer can write a good woman. And it’s just the minimum. Because the thing about the sort of heteronormative masculine privilege, whether it’s in Santo Domingo, or the United States, is you grow up your entire life being told that women aren’t human beings, and that women have no independent subjectivity. And because you grow up with this, it’s this huge surprise when you go to college and realize that, “Oh, women aren’t people who does my shit and fucks me.”

And I think that this a huge challenge for boys, because they want to pretend they can write girls. Every time I’m teaching boys to write, I read their women to them, and I’m like, “Yo, you think this is good writing?” These motherfuckers attack each other over cliche lines but they won’t attack each other over these toxic representations of women that they have inherited… their sexist shorthand, they think that is observation. They think that their sexist distortions are insight. And if you’re in a writing program and you say to a guy that their characters are sexist, this guy, it’s like you said they fucking love Hitler. They will fight tooth and nail because they want to preserve this really vicious sexism in the art because that is what they have been taught.

And I think the first step is to admit that you, because of your privilege, have a very distorted sense of women’s subjectivity. And without an enormous amount of assistance, you’re not even going to get a D. I think with male writers the most that you can hope for is a D with an occasional C thrown in. Where the average women writer, when she writes men, she gets a B right off the bat, because they spent their whole life being taught that men have a subjectivity. In fact, part of the whole feminism revolution was saying, “Me too, motherfuckers.” So women come with it built in because of the society.

It’s the same way when people write about race. If you didn’t grow up being a subaltern person in the United States, you might need help writing about race. Motherfuckers are like ‘I got a black boy friend,’ and their shit sounds like Klan Fiction 101.

The most toxic formulas in our cultures are not pass down in political practice, they’re pass down in mundane narratives. It’s our fiction where the toxic virus of sexism, racism, homophobia, where it passes from one generation to the next, and the average artist will kill you before they remove those poisons. And if you want to be a good artist, it means writing, really, about the world. And when you write cliches, whether they are sexist, racist, homophobic, classist, that is a fucking cliche. And motherfuckers will kill you for their cliches about x, but they want their cliches about their race, class, queerness. They want it in there because they feel lost without it. So for me, this has always been the great challenge.

As a writer, if you’re really trying to write something new, you must figure out, with the help of a community, how can you shed these fucking received formulas. They are received. You didn’t come up with them. And why we need fellow artists is because they help us stay on track. They tell you, “You know what? You’re a bit of a fucking homophobe.” You can’t write about the world with these simplistic distortions. They are cliches. People know art, always, because they are uncomfortable. Art discomforts. The trangressiveness of art has to deal with confronting people with the real. And sexism is a way to avoid the real, avoiding the reality of women. Homophobia is to avoid the real, the reality of queerness. All these things are the way we hide from encountering the real. But art, art is just about that.

- Junot Diaz speaking at Word Up Bookshop, 2012

(Source: ofgrammatology)


Colleges aren’t monasteries. They can’t give their students spiritual sustenance; they can’t provide an escape from modernity. And they shouldn’t be faulted, or punished, for that.
- Joshua Rothman on why the “crisis in higher education” is really the crisis of modernity: http://nyr.kr/1qSgRAe (via newyorker)

Most girls are relentlessly told that we will be treated how we demand to be treated. If we want respect, we must respect ourselves.

This does three things. Firstly, it gets men off the hook for being held accountable for how they treat women. And secondly, it makes women feel that the mistreatment and sometimes outright violence they face due to their gender is primarily their fault. And thirdly, it positions women to be unable to speak out against sexism because we are made to believe any sexism we experience would not have happened if we had done something differently.

I cannot demand a man to respect me. No more than I can demand that anybody do anything. I can ask men to be nice to me. But chances are if I even have to ask he does not care to be nice. I can express displeasure when I’m not being respected. But that doesn’t solve the issue that I was disrespected in the first place.

I can choose to not deal with a man once he proves to be disrespectful and/or sexist. But even that does not solve the initial problem of the fact that I had to experience being disrespected in the first place.

As a young girl, I wish that instead of being told that I needed to demand respect from men that I had been told that when I am not respected by men that it’s his fault and not mine. But that would require that we quit having numerous arbitrary standards for what it means to be a “respectable” woman. It would mean that I am not judged as deserving violence based on how I speak, what I wear, what I do, and who I am.

- Excerpt from “FYI, I Cannot “Demand” Respect From Men so Stop Telling Me That!" @ One Black Girl. Many Words. 

(Source: daniellemertina)